Press

“Complex and rich...With every direction from the audio guide, I felt layers of myself peel back to be shared”

– AmericanTheater

“Unique vocal prompts and a smiling, silent cast of dancers guide us away from one another onto a path deliberately crafted to heighten awareness—of self and other, of seeing and being seen, of connecting and being alone, of the fuzzy contours of memory and emotion.”

– Thinking Dance

“A fleeting, beautiful interaction with a stranger...comfortable and compassionate every step of the way.”

– Art Intercepts

“Emotionally stunning atmospherics…beautifully crafted performances.”

– Exploredance

“We were swept, once again, into the dreamlike experience created by Canuso’s exquisite installation.”

– The Dance Journal

“The collective holds itself through the waves of solemnity and delight.”

– Thinking Dance

“Being/With project caught me off guard with a rich and satisfying vehicle to connect with other humans from a distance…The experiences left a taste in my mouth akin to that of chance meaningful encounters in public space (remember those?) that leave us vibrating with the power of happenstance.”

– Thinking Dance

“The remarkable trick of Being/With:Home is that it manages to pull you inside somebody else’s intimate space — physically and mentally — without taking you out of yours… to create something new and worth exploring.”

– No Proscenium

“Frequently cryptic, sometimes funny, often disturbing, and always intriguing.”

– DC Metro Theater Arts

“The video and interactive software design by Pablo N. Molina is one of the most successful and witty blends of dance and technology I’ve seen in some time...Canuso’s languid movement style contrasted sharply with Sobelle’s…Like her, Sobelle is an extraordinary performer. He has terrific, even athletic, movement chops…Their ennui, and perhaps animosity, toward each other builds to the pandemonium that inevitably erupts.”

– Philadelphia Inquirer

“Garden of Forking Paths invites limited audience to experience boundless connections.”

– News Works, WHYY

“The work traverses mind blowing scale in its one hour duration…hilarious scene of emotional destruction…kaleidoscopic patterns of beautiful movement.”

– Thinking Dance

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